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src/ecc/quotes.55
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src/ecc/quotes.55
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|
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L 1,[1 In Boston they ask, How much does he know?
|
||||
In New York, How much is he worth?
|
||||
In Philadelphia, Who were his parents?
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[2 Always do right. This will gratify some people,
|
||||
and astonish the rest.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[3 When angry, count ten before you speak;
|
||||
if very angry, an hundred.
|
||||
|
||||
- Thomas Jefferson
|
||||
]
|
||||
L 1,[4 When angry, count four;
|
||||
when very angry, swear.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[5 Nothing so needs reforming as other people's habits.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[6 Truth is the most valuable thing we have.
|
||||
Let us economize it.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[7 All the modern inconveniences.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[8 Tomorrow night I appear for the first time before a
|
||||
Boston audience -- four thousand critics.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[9 Base eight is just like base ten, really --
|
||||
if you're missing two fingers!
|
||||
|
||||
- Tom Lehrer
|
||||
]
|
||||
L 1,[10 Vulgar of manner, overfed,
|
||||
Overdressed and underbred;
|
||||
Heartless, Godless, hell's delight,
|
||||
Rude by day and lewd by night.
|
||||
|
||||
- Byron Rufus Newton,
|
||||
"Owed to New York" (1906)
|
||||
]
|
||||
L 1,[11 Purple-robed and pauper-clad,
|
||||
Raving, rotting, money-mad;
|
||||
A squirming herd in Mammon's mesh,
|
||||
A wilderness of human flesh;
|
||||
Crazed with avarice, lust, and rum,
|
||||
New York, thy name's Delirium.
|
||||
|
||||
- Byron Rufus Newton,
|
||||
"Owed to New York" (1906)
|
||||
]
|
||||
L 1,[12 In war there is no second prize for the runner-up.
|
||||
|
||||
Omar Bradley (1950)
|
||||
]
|
||||
L 1,[13 I am a member of the rabble in good standing.
|
||||
|
||||
- Westbrook Pegler
|
||||
"The Lynching Story" (1894 -)
|
||||
]
|
||||
L 1,[14 Early to rise and early to bed makes a male healthy and
|
||||
wealthy and dead.
|
||||
|
||||
- James Thurber
|
||||
"Fables for Our Time" (1940)
|
||||
]
|
||||
L 1,[15 Well, if I called the wrong number,
|
||||
why did you answer the 'phone?
|
||||
|
||||
- James Thurber
|
||||
New Yorker cartoon (1894-1961)
|
||||
]
|
||||
L 1,[16 I love the idea of there being two sexes,
|
||||
don't you?
|
||||
|
||||
- James Thurber
|
||||
New Yorker cartoon (1894-1961)
|
||||
]
|
||||
L 1,[17 He knows all about art,
|
||||
but he doesn't know what he likes.
|
||||
|
||||
- James Thurber
|
||||
New Yorker cartoon (1894-1961)
|
||||
]
|
||||
L 1,[18 It is better to know some of the questions
|
||||
than all of the answers.
|
||||
|
||||
- James Thurber
|
||||
(1894-1961)
|
||||
]
|
||||
L 1,[19 The flowers that bloom in the spring,
|
||||
tra la,
|
||||
Have nothing to do with the case.
|
||||
|
||||
- William Gilbert
|
||||
"The Mikado" (1885)
|
||||
|
||||
]
|
||||
L 1,[20 On a cloth untrue
|
||||
With a twisted cue
|
||||
And elliptical billiard balls.
|
||||
|
||||
- William Gilbert
|
||||
"The Mikado" (1885)
|
||||
]
|
||||
L 1,[21 There's a fascination frantic
|
||||
In a ruin that's romantic;
|
||||
Do you think you are sufficiently decayed?
|
||||
|
||||
- William Gilbert
|
||||
"The Mikado" (1885)
|
||||
]
|
||||
L 1,[22 The House of Peers, throughout the war,
|
||||
Did nothing in particular,
|
||||
And did it very well.
|
||||
|
||||
- William Gilbert
|
||||
"Iolanthe" (1882)
|
||||
]
|
||||
L 1,[23 When you're lying awake with a dismal headache,
|
||||
and repose is tabooed by anxiety,
|
||||
I conceive you may use any language you choose
|
||||
to indulge in, without impropriety.
|
||||
|
||||
- William Gilbert
|
||||
"Iolanthe" (1882)
|
||||
]
|
||||
L 1,[24 For he might have been a Roosian,
|
||||
A French or Turk or Proosian,
|
||||
Or perhaps Itali-an.
|
||||
But in spite of all temptations
|
||||
To belong to other nations,
|
||||
He remains an Englishman.
|
||||
|
||||
- William Gilbert
|
||||
"H.M.S. Pinafore" (1878)
|
||||
]
|
||||
L 1,[25 And so do his sisters, and his cousins,
|
||||
and his aunts!
|
||||
His sisters and his cousins,
|
||||
Whom he reckons up by dozens,
|
||||
And his aunts!
|
||||
|
||||
- William Gilbert
|
||||
"H.M.S. Pinafore" (1878)
|
||||
]
|
||||
L 1,[26 Darwinian Man, though well-behaved,
|
||||
At best is only a monkey shaved!
|
||||
|
||||
- William Gilbert
|
||||
"Princess Ida" (1884)
|
||||
]
|
||||
L 1,[27 I can't help it. I was born sneering.
|
||||
|
||||
- William Gilbert
|
||||
"The Mikado" (1885)
|
||||
]
|
||||
L 1,[28 Mere corroborative detail intended to give artistic verisimilitude
|
||||
to an otherwise bald and unconvincing narrative.
|
||||
|
||||
- William Gilbert
|
||||
Pooh Bah, in "The Mikado" (1885)
|
||||
]
|
||||
L 1,[29 BUT: Red, am I? and round -- and rosy! May be, for I have
|
||||
dissembled well! But hark ye, my merry friend -- hast
|
||||
ever thought that beneath a gay and frivolous exterior
|
||||
there may lurk a canker-worm which is slowly but
|
||||
surely eating its way into one's very heart?
|
||||
|
||||
BOAT: No, my lass, I can't say I've ever though that.
|
||||
|
||||
DICK: I'VE thought it often. (All recoil from him.)
|
||||
|
||||
BUT: Yes, you look like it! What's the matter with the
|
||||
man? Isn't he well?
|
||||
|
||||
BOAT: Don't take no heed of HIM, that's only poor Dick Deadeye.
|
||||
|
||||
- William Gilbert
|
||||
"H.M.S. Pinafore" (1878)
|
||||
]
|
||||
L 1,[30 DICK: From such a face and form as mine the noblest
|
||||
sentiments sound like the black utterances of a
|
||||
depraved imagination.
|
||||
|
||||
- William Gilbert
|
||||
"H.M.S. Pinafore" (1878)
|
||||
]
|
||||
L 1,[31 RALPH: I am poor in the essence of happiness, lady -- rich
|
||||
only in never-ending unrest. In me there meet a
|
||||
combination of antithetical elements which are at
|
||||
eternal war with one another. Driven hither by
|
||||
objective influences -- thither by subjective
|
||||
emotions -- wafted one moment into blazing day, by
|
||||
mocking hope -- plunged the next into the Cimmerian
|
||||
darkness of tangible despair, I am but a living
|
||||
ganglion of irreconcilable antagonisms. I hope I
|
||||
make myself clear, lady?
|
||||
|
||||
JOS: Perfectly. (Aside.) His simple eloquence goes to my
|
||||
heart.
|
||||
|
||||
- William Gilbert
|
||||
"H.M.S. Pinafore" (1878)
|
||||
]
|
||||
L 1,[32 Books, the children of the brain.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"A Tale of a Tub" (1704)
|
||||
]
|
||||
L 1,[33 We have just enough religion to make us hate, but not enough
|
||||
to make us love one another.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Thoughts on Various Subjects" (1711)
|
||||
]
|
||||
L 1,[34 A nice man is a man of nasty ideas.
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Thoughts on Various Subjects" (1711)
|
||||
]
|
||||
L 1,[35 The burden of the incommunicable.
|
||||
|
||||
- Thomas de Quincey (1785-1859)
|
||||
"Confessions of an English Opium-Eater"
|
||||
(1822-1856)
|
||||
|
||||
]
|
||||
L 1,[36 If once a man indulges himself in murder, very soon he comes to think
|
||||
little of robbing; and from robbing he comes next to drinking and
|
||||
Sabbath-breaking, and from that to incivility and procrastination.
|
||||
|
||||
- Thomas de Quincey (1785-1859)
|
||||
"Murder Considered as One of the Fine Arts"
|
||||
(1827)
|
||||
|
||||
]
|
||||
L 1,[37 The time ain't far off when a woman won't know any more than a man.
|
||||
|
||||
- Will Rogers (1879-1935)
|
||||
]
|
||||
L 1,[38 Peace, peace, thou hippopotamus!
|
||||
We really look all right to us,
|
||||
As you no doubt delight the eye
|
||||
Of other hippopotami.
|
||||
|
||||
- Ogden Nash (1902-1971)
|
||||
]
|
||||
L 1,[39 She should have died hereafter;
|
||||
There would have been a time for such a word.
|
||||
Tomorrow, and tomorrow, and tomorrow,
|
||||
Creeps in this petty pace from day to day,
|
||||
To the last syllable of recorded time;
|
||||
And all our yesterdays have lighted fools
|
||||
The way to dusty death. Out, out, brief candle!
|
||||
Life's but a walking shadow, a poor player
|
||||
That struts and frets his hour upon the stage,
|
||||
And then is heard no more; it is a tale
|
||||
Told by an idiot, full of sound and fury,
|
||||
Signifying nothing.
|
||||
|
||||
- Shakespeare (1564-1616)
|
||||
"Macbeth" V, v, 17.
|
||||
]
|
||||
L 1,[40 Out, damned spot! out, I say!
|
||||
|
||||
- Shakespeare (1564-1616)
|
||||
"Macbeth" V, i, 38.
|
||||
]
|
||||
L 1,[41 Lay on, Macduff,
|
||||
And damn'd be him that first cries,
|
||||
"Hold, enough!"
|
||||
|
||||
- Shakespeare (1564-1616)
|
||||
"Macbeth" V, vii, 62.
|
||||
]
|
||||
L 1,[42 'Tis an old maxim in the schools,
|
||||
That flattery's the food of fools;
|
||||
Yet now and then your men of wit
|
||||
Will condescend to take a bit.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Cadenus and Vanessa" (1713)
|
||||
]
|
||||
L 1,[43 Proper words in proper places, make the true definition of a
|
||||
style.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Letter to a Young Clergyman" (1720)
|
||||
]
|
||||
L 1,[44 Black as the devil
|
||||
Hot as hell,
|
||||
Pure as an angel,
|
||||
Sweet as love.
|
||||
|
||||
- Talleyrand (1754-1838)
|
||||
Recipe for coffee
|
||||
]
|
||||
L 1,[45 [Of the Bourbons] They have learned nothing, and forgotten nothing.
|
||||
|
||||
- Talleyrand (1754-1838)
|
||||
Letter to Mallet du Pan (1796)
|
||||
]
|
||||
L 1,[46 The United States has thirty-two religions but only one dish.
|
||||
|
||||
- Talleyrand (1754-1838)
|
||||
Attributed
|
||||
]
|
||||
L 1,[47 Tobacco is a filthy weed,
|
||||
That from the devil does proceed;
|
||||
It drains your purse, it burns your clothes,
|
||||
And makes a chimney of your nose.
|
||||
|
||||
- Benjamin Waterhouse (1754-1846)
|
||||
]
|
||||
L 1,[48 But, in case signals can neither be seen or perfectly
|
||||
understood, no captain can do very wrong if he places his
|
||||
ship alongside that of the enemy.
|
||||
|
||||
- Horatio Nelson (1758-1805)
|
||||
Memorandum to the fleet, off Cadiz (1805)
|
||||
]
|
||||
L 1,[49 One should always be a little improbable.
|
||||
|
||||
- Oscar Wilde
|
||||
]
|
||||
L 1,[50 The basis of action is lack of imagination. It is
|
||||
the last resource of those who know not how to dream.
|
||||
|
||||
- Oscar Wilde
|
||||
]
|
||||
L 1,[51 Whenever you find that you are on the side of the
|
||||
majority, it is time to reform.
|
||||
|
||||
- Mark Twain
|
||||
]
|
||||
L 1,[52 Logic is like the sword -- those who appeal to it,
|
||||
shall perish by it.
|
||||
|
||||
- Samuel Butler
|
||||
]
|
||||
L 1,[53 One of the advantages of being disorderly is that
|
||||
one is constantly making exciting discoveries.
|
||||
|
||||
- A.A. Milne
|
||||
]
|
||||
L 1,[54 The world was made before the English language and
|
||||
seemingly on a different design.
|
||||
|
||||
- Robert Louis Stevenson
|
||||
]
|
||||
L 1,[55 You see things and you say "Why?" But I dream things
|
||||
that never were and I say "Why not?"
|
||||
|
||||
- George Bernard Shaw
|
||||
]
|
||||
L 1,[56 You think that because you have a purpose, Nature must
|
||||
have one. You might as well expect it to have fingers
|
||||
and toes because you have them.
|
||||
|
||||
- The Devil (in Shaw's Man and Superman)
|
||||
]
|
||||
L 1,[57 A man cannot be too careful in the choice of his enemies.
|
||||
|
||||
- Oscar Wilde
|
||||
]
|
||||
L 1,[58 This is the sort of English up with which I will not put.
|
||||
|
||||
- Churchill (attributed)
|
||||
]
|
||||
L 1,[59 The grammar has a rule absurd
|
||||
Which I would call an outworn myth:
|
||||
"A preposition is a word
|
||||
You mustn't end a sentence with!"
|
||||
|
||||
- Berton Braley (1882-1966)
|
||||
]
|
||||
L 1,[60 Backward ran sentences until reeled the mind.
|
||||
|
||||
- Wolcott Gibbs (1902-1958)
|
||||
]
|
||||
L 1,[61 Short words are best and the old words when short are best of all.
|
||||
|
||||
- Churchill
|
||||
]
|
||||
L 1,[62 What dreadful hot weather we have! It keeps me in a continual
|
||||
state of inelegance.
|
||||
|
||||
- Jane Austen
|
||||
]
|
||||
L 1,[63 For we are like tree trunks in the snow. In appearance they lie
|
||||
sleekly and a little push should be enough to set them rolling.
|
||||
No, it can't be done, for they are firmly wedded to the ground.
|
||||
But see, even that is only appearance.
|
||||
|
||||
- Franz Kafka (1884-1924)
|
||||
]
|
||||
L 1,[64 I cannot but conclude the bulk of your natives to be the most
|
||||
pernicious race of little odious vermin that nature ever suffered to
|
||||
crawl upon the surface of the earth.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Gulliver's Travels. Voyage to Brobdingnag"
|
||||
(1726)
|
||||
]
|
||||
L 1,[65 He had been eight years upon a project for extracting sunbeams out of
|
||||
cucumbers, which were to be put in vials hermetically sealed, and let
|
||||
out to warm the air in raw inclement summers.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Gulliver's Travels. Voyage to Laputa" (1726)
|
||||
|
||||
]
|
||||
L 1,[66 I said the thing which was not.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Gulliver's Travels. Voyage to the
|
||||
Houyhnhnms" (1726)
|
||||
]
|
||||
L 1,[67 So, naturalists observe, a flea
|
||||
Hath smaller fleas that on him prey;
|
||||
And these have smaller still to bite 'em;
|
||||
And so proceed ad infinitum.
|
||||
Thus every poet, in his kind,
|
||||
Is bit by him that comes behind.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"On Poetry. A Rhapsody" (1733)
|
||||
]
|
||||
L 1,[68 She wears her clothes, as if they were thrown on her with a pitchfork.
|
||||
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Polite Conversation" (1738)
|
||||
]
|
||||
L 1,[69 May you live all the days of your life.
|
||||
- Jonathan Swift (1667-1745)
|
||||
"Polite Conversation" (1738)
|
||||
]
|
||||
L 1,[70 It may be said that his wit shines at the expense of his memory.
|
||||
|
||||
- Alain Rene Le Sage (1668-1747)
|
||||
Gil Blas (1715-1735)
|
||||
]
|
||||
L 1,[71 Facts are stubborn things.
|
||||
|
||||
- Alain Rene Le Sage (1668-1747)
|
||||
Gil Blas (1715-1735)
|
||||
]
|
||||
L 1,[72 Facts are contrary 'z mules.
|
||||
|
||||
- James Russell Lowell
|
||||
"Biglow Papers" (1862)
|
||||
]
|
||||
L 1,[73 Music has charms to soothe a savage breast,
|
||||
To soften rocks, or ben a knotted oak.
|
||||
|
||||
- William Congreve (1670-1729)
|
||||
"The Mourning Bride" (1697)
|
||||
]
|
||||
L 1,[74 By magic numbers and persuasive sound.
|
||||
|
||||
- William Congreve (1670-1729)
|
||||
"The Mourning Bride" (1697)
|
||||
]
|
||||
L 1,[75 I nauseate walking; 'tis a country diversion, I loathe the country.
|
||||
|
||||
- William Congreve (1670-1729)
|
||||
"The Way of the World" (1700)
|
||||
]
|
||||
L 1,[76 Thou art a retailer of phrases, and dost deal in remnants of remnants.
|
||||
|
||||
- William Congreve (1670-1729)
|
||||
"The Way of the World" (1700)
|
||||
]
|
||||
L 1,[77 Possession is eleven points in the law.
|
||||
|
||||
- Colley Cibber (1671-1757)
|
||||
"Woman's Wit" (1697)
|
||||
]
|
||||
L 1,[78 Off with his head -- so much for Buckingham.
|
||||
|
||||
- Colley Cibber (1671-1757)
|
||||
"Richard III (altered)" (1700)
|
||||
]
|
||||
L 1,[79 Perish the thought!
|
||||
|
||||
- Colley Cibber (1671-1757)
|
||||
"Richard III (altered)" (1700)
|
||||
]
|
||||
L 1,[80 Stolen sweets are best.
|
||||
|
||||
- Colley Cibber (1671-1757)
|
||||
"The Rival Fools" (1709)
|
||||
]
|
||||
L 1,[81 A man that could look no way but downwards with a muckrake in his
|
||||
hand.
|
||||
|
||||
- John Bunyan (1628-1688)
|
||||
"Pilgrim's Progress" (1678)
|
||||
]
|
||||
L 1,[82 And torture one poor word ten thousand ways.
|
||||
|
||||
- John Dryden (1631-1700)
|
||||
"Mac Flecknoe" (1682)
|
||||
]
|
||||
L 1,[83 Judging by the virtues expected of a servant, does your Excellency
|
||||
know many masters who would be worthy valets?
|
||||
|
||||
- Pierre de Beaumarchais (1732-1799)
|
||||
"Le Barbier de Seville" (1775)
|
||||
]
|
||||
L 1,[84 If you are mediocre and you grovel, you shall succeed.
|
||||
|
||||
- Pierre de Beaumarchais (1732-1799)
|
||||
"Le Mariage de Figaro" (1784)
|
||||
]
|
||||
L 1,[85 You went to some trouble to be born, and that's all.
|
||||
|
||||
- Pierre de Beaumarchais (1732-1799)
|
||||
"Le Mariage de Figaro" (1784)
|
||||
]
|
||||
L 1,[86 Prefer geniality to grammar.
|
||||
|
||||
- H.W. and F.G. Fowler
|
||||
"The King's English" (1906)
|
||||
]
|
||||
L 1,[87 HACKNEYED PHRASES.... but their true use when they come into the
|
||||
writer's mind is as danger signals; he should take warning that when
|
||||
they suggest themselves it is because what he is writing is bad stuff,
|
||||
or it would not need such help; let him see to the substance of his
|
||||
cake instead of decorating with sugarplums.
|
||||
|
||||
- H. W. Fowler (1859-1933)
|
||||
"A Dictionary of Modern English Usage" (1926)
|
||||
]
|
||||
L 1,[88 QUOTATION.... A writer expresses himself in words that have been used
|
||||
before because they give his meaning better than he can give it
|
||||
himself, or because they are beautiful or witty, or because he expects
|
||||
them to touch a chord of association in his reader, or because he
|
||||
wishes to show that he is learned and well read. Quotations due to
|
||||
the last motive are invariably ill-advised; the discerning reader
|
||||
detects it and is contemptuous; the undiscerning is perhaps
|
||||
impressed, but even then is at the same time repelled, pretentious
|
||||
quotations being the surest road to tedium.
|
||||
|
||||
- H.W. and F.G. Fowler
|
||||
"A Dictionary of Modern English Usage" (1926)
|
||||
]
|
||||
L 1,[89 It is impossible to enjoy idling thoroughly unless one has plenty of
|
||||
work to do.
|
||||
|
||||
- Jerome Klapka Jerome (1859-1927)
|
||||
"Idle Thoughts of an Idle Fellow:
|
||||
On Being Idle" (1889)
|
||||
]
|
||||
L 1,[90 The greatest invention of the nineteenth century wa the invention of
|
||||
the method of invention.
|
||||
|
||||
- Alfred North Whitehead (1861-1947)
|
||||
"Science and the Modern World" (1925)
|
||||
]
|
||||
L 1,[91 There are no whole truths; all truths are half-truths. It is trying
|
||||
to treat them as whole truths that plays the devil.
|
||||
|
||||
- Alfred North Whitehead (1861-1947)
|
||||
"Dialogues of..." (1953)
|
||||
]
|
||||
L 1,[92 The vitality of thought is in adventure. IDEAS WON'T KEEP. Something
|
||||
must be done about them. When the idea is new, its custodians have
|
||||
fervor, live for it, and, if need be, die for it.
|
||||
|
||||
- Alfred North Whitehead (1861-1947)
|
||||
"Dialogues of..." (1953)
|
||||
]
|
||||
L 1,[93 Intelligence is quickness to apprehend as distinct from ability, which
|
||||
is capacity to act wisely on the thing aprehended.
|
||||
|
||||
- Alfred North Whitehead (1861-1947)
|
||||
"Dialogues of..." (1953)
|
||||
]
|
||||
L 1,[94 Art is the imposing of a pattern on experience, and our aesthetic
|
||||
enjoyment in recognition of the pattern.
|
||||
|
||||
- Alfred North Whitehead (1861-1947)
|
||||
"Dialogues of..." (1953)
|
||||
]
|
||||
L 1,[95 Children, behold the Chimpanzee:
|
||||
He sits on the ancestral tree
|
||||
From which we sprang in ages gone.
|
||||
I'm glad we sprang: had we held on,
|
||||
We might, for aught that I can say,
|
||||
Be horrid Chimpanzees today.
|
||||
|
||||
- Oliver Herford (1863-1935)
|
||||
"The Chimpanzee"
|
||||
]
|
||||
L 1,[96 The true way goes over a rope which is not stretched at any great
|
||||
height but just above the ground. It seems more designed to make
|
||||
people stumble than to be walked upon.
|
||||
|
||||
- Franz Kafka (1884-1924)
|
||||
"The Great Wall of China"
|
||||
]
|
||||
L 1,[97 There are two cardinal sins from which all the others spring:
|
||||
impatience and laziness.
|
||||
|
||||
- Franz Kafka (1884-1924)
|
||||
"Letters".
|
||||
]
|
||||
L 1,[98 Tobacco is a dirty weed. I like it.
|
||||
It satisfies no normal need. I like it.
|
||||
It makes you thin, it makes you lean,
|
||||
It takes the hair right off your bean.
|
||||
It's the worst darn stuff I've ever seen. I like it.
|
||||
|
||||
- Graham Lee Hemminger (1896-1949)
|
||||
"Tobacco" (1915)
|
||||
]
|
||||
L 1,[99 The test of a first-rate intelligence is the ability to hold two
|
||||
opposed ideas in the mind at the same time, and still retain the
|
||||
ability to function.
|
||||
|
||||
- Francis Scott Fitzgerald (1896-1940)
|
||||
"Tender Is the Night" (1933)
|
||||
]
|
||||
L 1,[100 Since those whose duty it was to hold the sword of France have
|
||||
let it fall, I have picked up its broken point.
|
||||
|
||||
- Charles de Gaulle (1890-1970)
|
||||
"Radio address" (1940)
|
||||
]
|
||||
L 1,[101 I shall never believe that God plays dice with the world.
|
||||
|
||||
- Albert Einstein (1879-1955)
|
||||
From "Einstein, His Life and Times" (1947)
|
||||
]
|
||||
L 1,[102 The Lord God is subtle, but malicious he is not.
|
||||
|
||||
- Albert Einstein (1879-1955)
|
||||
Inscription in Fine Hall, Princeton.
|
||||
]
|
||||
L 1,[103 The whole of science is nothing more than a refinement of
|
||||
everyday thinking.
|
||||
|
||||
- Albert Einstein (1879-1955)
|
||||
"Physics and Reality" (1936)
|
||||
]
|
||||
L 1,[104 The most beautiful thing we can experience is the mysterious.
|
||||
It is the source of all true art and science.
|
||||
|
||||
- Albert Einstein (1879-1955)
|
||||
"What I Believe" in Forum. (1930)
|
||||
]
|
||||
L 1,[105 A vile beastly rottenheaded foolbegotten brazenthroated
|
||||
pernicious piggish screaming, tearing, roaring, perplexing,
|
||||
splitmecrackle crashmecriggle insane ass of a woman is practising
|
||||
howling belowstairs with a brute of a singingmaster so horribly, my
|
||||
head is nearly off.
|
||||
|
||||
- Edward Lear (1912-1888)
|
||||
]
|
||||
L 1,[106 Why don't you get a haircut? You look like a chrysanthemum.
|
||||
|
||||
- P. G. Wodehouse (1881-1975)
|
||||
]
|
||||
L 1,[107 He's a little man, that's his trouble. Never trust a man with
|
||||
short legs -- brains too near their bottoms.
|
||||
|
||||
- Noel Coward (1899-1973)
|
||||
]
|
||||
L 1,[108 The English country-gentleman galloping after a fox -- the
|
||||
unspeakable in full pursuit of the uneatable.
|
||||
|
||||
- Oscar Wilde (1854-1900)
|
||||
]
|
||||
L 1,[109 His mind is a muskeg of mediocrity.
|
||||
|
||||
- John Macnaughton (1858-1943)
|
||||
]
|
||||
L 1,[110 Beethoven always sounds to me like the upsetting of a bag of
|
||||
nails, with here and there an also dropped hammer.
|
||||
|
||||
- John Ruskin (1819-1900)
|
||||
]
|
||||
L 1,[111 Funny without being vulgar.
|
||||
|
||||
- W. S. Gilbert (1836-1911)
|
||||
On Sir Herbert Beerbohm Tree's performance as
|
||||
Hamlet.
|
||||
]
|
||||
L 1,[112 Very nice, though there are dull stretches.
|
||||
|
||||
- Antoine de Rivarol (1753-1801)
|
||||
On a two-line peom.
|
||||
]
|
||||
L 1,[113 I played over the music of that scoundrel Brahms. What a
|
||||
giftless bastard!
|
||||
|
||||
Peter Ilich Tchaikovsky (1840-1893)
|
||||
]
|
||||
L 1,[114 Your manuscript is both good and original; but the part that
|
||||
is good is not original, and the part that is original is not good.
|
||||
|
||||
- Samuel Johnson (1709-1784)
|
||||
]
|
||||
L 1,[115 You may have genius. The contrary is, of course, probable.
|
||||
|
||||
- Oliver Wendell Holmes (1841-1935)
|
||||
]
|
||||
L 1,[116 From the moment I picked your book up until I laid it down I
|
||||
was convulsed with laughter. Some day I intend reading it.
|
||||
|
||||
- Groucho Marx
|
||||
]
|
||||
L 1,[117 Clergyman: How did you like my sermon, Mr. Canning?
|
||||
Canning: You were brief.
|
||||
Clergyman: Yes, you know I avoid being tedious.
|
||||
Canning: But you WERE tedious.
|
||||
|
||||
- George Canning (1770-1827)
|
||||
]
|
||||
L 1,[118 Optimism, said Candide, is a mania for maintaining that
|
||||
all is well when things are going badly.
|
||||
|
||||
- Voltaire [Francois Marie Arouet] (1694-1778)
|
||||
"Candide" (1759)
|
||||
]
|
||||
L 1,[119 [Bernard Shaw sent Churchill 2 tickets for the opening of his
|
||||
new play with the invitation:]
|
||||
Bring a friend -- if you have one.
|
||||
[Churchill regretted that he was engaged, and asked for tickets for
|
||||
the 2nd performance:]
|
||||
If there is one.
|
||||
|
||||
- Winston Churchill (1874-1965)
|
||||
]
|
||||
L 1,[120 They have committed false report; moreover, they have spoken
|
||||
untruths; secondarily, they are slanderers; sixth and lastly, they
|
||||
have belied a lady; thirdly, they have verified unjust things; and
|
||||
to conclude, they are lying knaves.
|
||||
|
||||
- William Shakespeare (1564-1616)
|
||||
"Much Ado About Nothing"
|
||||
]
|
||||
L 1,[121 Clare Boothe Luce [at doorway]: Age before beauty!
|
||||
Dorothy Parker [gliding through]: Pearls before swine!@
|
||||
|
||||
- Dorothy Parker (1893-1967)
|
||||
]
|
||||
L 1,[122 In the first place God made idiots; this was for practice;
|
||||
then he made school boards.
|
||||
|
||||
- Mark Twain (1835-1910)
|
||||
]
|
||||
L 1,[123 I am not an editor of a newspaper and shall always try to do
|
||||
right and be good so that God will not make me one.
|
||||
|
||||
- Mark Twain (1835-1910)
|
||||
]
|
||||
L 1,[124 Katherine Hepburn ran the whole gamut of emotions from A to B.
|
||||
|
||||
- Dorothy Parker (1893-1967)
|
||||
]
|
||||
L 1,[125 This is not a novel to be tossed aside lightly. It should be
|
||||
thrown with great force.
|
||||
|
||||
Tonstant Weader fwowed up.
|
||||
|
||||
- Dorothy Parker (1893-1967)
|
||||
On "The House at Pooh Corner" in her column
|
||||
"Constant Reader".
|
||||
]
|
||||
L 1,[126 [Asked to distinguish between a misfortune and a calamity]
|
||||
If Gladstone fell into the Thames, that would be a misfortune, and if
|
||||
anybody pulled him out that, I suppose, would be a calmity.
|
||||
|
||||
- Benjamin Disraeli (1804-1881)
|
||||
]
|
||||
L 1,[127 He has not a single redeeming defect.
|
||||
|
||||
- Benjamin Disraeli (1804-1881)
|
||||
On William Gladstone
|
||||
]
|
||||
L 1,[128 He is a self-made man, and worships his creator.
|
||||
|
||||
- Benjamin Disraeli (1804-1881)
|
||||
On John Bright.
|
||||
]
|
||||
L 1,[129 As I sat opposite the Treasury Bench, the Ministers reminded
|
||||
me of one of those marine landscapes not very unusual on the coasts of
|
||||
South America. You behold a range of exhausted volcanoes, not a flame
|
||||
flickers ona single pallid crest, but the situation is still
|
||||
dangerous. There are occasional earthquakes and ever and anon the
|
||||
dark rumbling of the sea.
|
||||
|
||||
- Benjamin Disraeli (1804-1881)
|
||||
On the Liberal ministry.
|
||||
]
|
||||
L 1,[130 How long will John Bull allow this absurd monkey to dance on
|
||||
his chest?
|
||||
|
||||
- Thomas Carlyle (1795-1881)
|
||||
On Benjamin Disraeli
|
||||
]
|
||||
L 1,[131 He looked at foreign affairs through the wrong end of a
|
||||
municipal drainpipe.
|
||||
|
||||
- Winston Churchill (1874-1965)
|
||||
On Neville Chamberlain
|
||||
]
|
||||
L 1,[132 He is forever poised between a cliche and an indiscretion.
|
||||
|
||||
- Harold Macmillan (1894-)
|
||||
]
|
||||
L 1,[133 His mind was a kind of extinct sulphur-pit.
|
||||
|
||||
- Thomas Carlyle (1795-1881)
|
||||
On Napoleon III.
|
||||
]
|
||||
L 1,[134 Why do you sit there looking like an envelope without any
|
||||
address on it?
|
||||
|
||||
- Mark Twain (1835-1910)
|
||||
]
|
||||
L 1,[135 [Asked how he became a hero:]
|
||||
|
||||
It was involuntary. They sank my boat.
|
||||
|
||||
- John F. Kennedy (1917-1963)
|
||||
Quoted in "A Thousand Days" (1965)
|
||||
by Arthur M. Schlesinger, Jr.
|
||||
]
|
||||
L 1,[136 Achievement, n. the death of endeavor and the birth of disgust.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[137 Cynic, n. a blackguard whose faulty vision sees things as
|
||||
they are, not as they ought to be.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[138 Edible, adj. good to eat, and wholesome to digest, as a worm
|
||||
to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a
|
||||
man to a worm.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[139 Habit, n. a shackle for the free.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[140 Prejudice, n. a vagrant opinion without visible means of support.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[141 Saint, n. a dead sinner revised and edited.
|
||||
|
||||
- Ambrose Bierce (1842-1914)
|
||||
"The Devil's Dictionary" (1906)
|
||||
]
|
||||
L 1,[142 Experience is a good teacher, but she sends in terrific bills.
|
||||
|
||||
- Minna Antrim
|
||||
]
|
||||
L 1,[143 Wit has truth in it;
|
||||
wisecracking is simply calisthenics with words.
|
||||
|
||||
- Dorothy Parker (1893-1967)
|
||||
]
|
||||
L 1,[144 The dead of midnight is the noon of thought.
|
||||
|
||||
- Anna Letaitia Barbauld
|
||||
]
|
||||
L 1,[145 Man is a tool-using animal ...
|
||||
Without tools he is nothing, with tools he is all.
|
||||
|
||||
- Thomas Carlyle (1795-1881)
|
||||
"Sartor Resartus" (1834)
|
||||
]
|
||||
L 1,[146 A whiff of grapeshot.
|
||||
|
||||
- Thomas Carlyle (1795-1881)
|
||||
"The French Revolution" (1837)
|
||||
]
|
||||
L 1,[147 [In a debate, Lord Sandwich confessed himself at a loss to
|
||||
know the precise definitions; Warburton whispered back:]
|
||||
|
||||
Orthodoxy is my doxy; heterodoxy is another man's doxy.
|
||||
|
||||
- William Warburton, Bishop of Gloucester (1698-1779)
|
||||
]
|
||||
L 1,[148 The difference between Orthodoxy or My-doxy and
|
||||
Heterodoxy or Thy-doxy.
|
||||
|
||||
- Thomas Carlyle (1795-1881)
|
||||
"The French Revolution" (1837)
|
||||
]
|
||||
L 1,[149 "The secret of being a bore is to tell everything."
|
||||
|
||||
- Voltaire (1694 - 1778)
|
||||
"Sept Discours en Vers sur l'Homme"
|
||||
]
|
||||
|
||||
;;; Following from The Page A Day Wall Calendar (Workman Publishing, NY):
|
||||
|
||||
L 1,[150 "All human actions have one or more of these seven causes:
|
||||
chance, nature, compulsion, habit, reason, passion, desire."
|
||||
|
||||
- Aristotle (384-322 B.C.)
|
||||
"Rhetoric"
|
||||
]
|
||||
L 1,[151 "Use it up, wear it out;
|
||||
Make it do, or do without."
|
||||
|
||||
- New England maxim.
|
||||
]
|
||||
L 1,[152 "Memory is the power to gather roses in winter."
|
||||
|
||||
- Anonymous.
|
||||
]
|
||||
L 1,[153 "We'll use a signal I have tried and found far-reaching and
|
||||
easy to yell. Waa-hoo!"
|
||||
|
||||
- Zane Grey (1875-1939)
|
||||
"The Last of the Plainsmen"
|
||||
]
|
||||
L 1,[154 "I find confusion always creative,
|
||||
although it drives the crew crazy."
|
||||
|
||||
- Louis Malle (1933- )
|
||||
Quoted in "Saturday Review" June 1982.
|
||||
]
|
||||
L 1,[155 "Anybody who is any good is dif from anybody else."
|
||||
|
||||
- Felix Frankfurter (1882-1965)
|
||||
"Felix Frankfurter Reminisces"
|
||||
]
|
||||
L 1,[156 "There is nothing so absurd but some philosopher has said it."
|
||||
|
||||
- Cicero (106-43 B.C.)
|
||||
"De Divinatione"
|
||||
]
|
||||
L 1,[157 "People say that life is the thing, but I prefer reading."
|
||||
|
||||
- Logan Pearsall Smith (1865-1946)
|
||||
"Afterthoughts"
|
||||
]
|
||||
L 1,[158 "Experience is the name everyone gives to their mistakes."
|
||||
|
||||
- Oscar Wilde (1854-1900)
|
||||
"Lady Windermere's Fan"
|
||||
]
|
||||
L 1,[159 "Strictly speaking, not touching on other subjects,
|
||||
I must state about myself, in passing, that fate treats me
|
||||
mercilessly, as a storm does a small ship."
|
||||
|
||||
- Anton Chekhov (1860-1904)
|
||||
"The Cherry Orchard"
|
||||
]
|
||||
L 1,[160 "The adjective is the banana peel of the parts of speech."
|
||||
|
||||
- Clifton Fadiman (1904- )
|
||||
Quoted in "Reader's Digest", Sept. 1956.
|
||||
]
|
||||
L 1,[161 "There is one difference between a tax collector
|
||||
and a taxidermist -- the taxidermist leaves the hide."
|
||||
|
||||
- Mortimer Caplan (1916- )
|
||||
Quoted in "Time", Feb. 1, 1963.
|
||||
]
|
||||
L 1,[162 "No great thing is created suddenly."
|
||||
|
||||
- Epictetus (c. 50-120)
|
||||
"Discourses"
|
||||
]
|
||||
;;; End of page-a-day bunch.
|
||||
| ||||